{"id":170,"date":"2014-05-07T11:14:20","date_gmt":"2014-05-07T11:14:20","guid":{"rendered":"http:\/\/upgrade.italiancinemaaudiences.org\/it\/?p=170"},"modified":"2015-05-27T20:57:18","modified_gmt":"2015-05-27T20:57:18","slug":"danielle-hipkins-2","status":"publish","type":"post","link":"http:\/\/italiancinemaaudiences.org\/italiano\/blog\/danielle-hipkins-2\/","title":{"rendered":"Danielle Hipkins"},"content":{"rendered":"<p>Responsabile della ricerca<br \/>\nUniversity of Exeter<\/p>\n<p>Danielle Hipkins e&#8217; Associate Professor of Italian Studies and Film all&#8217;universita&#8217; di Exeter. Sta per finire un libro sulla rappresentazione di genere nel cinema del dopoguerra (<em>Italy&#8217;s Other Women: Gender and Prostitution in Postwar Italian Cinema, 1942-1965<\/em>); inoltre le interessano la storia delle spettatrici, postfemminismo nel cinema transnazionale, e la rappresentazione dell&#8217;infanzia e la giovent\u00f9&#8217;.<\/p>\n<p>Puoi contattare Danielle via e-mail: <a href=\"mailto:d.e.Hipkins@exeter.ac.uk\">d.e.Hipkins@exeter.ac.uk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Responsabile della ricerca<\/strong><br \/>\nUniversity of Exeter\n<\/p>\n<p>\nDanielle Hipkins e&#8217; Associate Professor of Italian Studies and Film all&#8217;universita&#8217; di Exeter. <\/p>\n","protected":false},"author":1,"featured_media":793,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[5],"tags":[],"_links":{"self":[{"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/posts\/170"}],"collection":[{"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/comments?post=170"}],"version-history":[{"count":5,"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/posts\/170\/revisions"}],"predecessor-version":[{"id":5367,"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/posts\/170\/revisions\/5367"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/media\/793"}],"wp:attachment":[{"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/media?parent=170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/categories?post=170"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/italiancinemaaudiences.org\/italiano\/wp-json\/wp\/v2\/tags?post=170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}