Il piano di pubblicazioni del progetto Pubblico Italiano Cinematografico include una monogafia sul pubblico cinematografico italiano degli anni Cinquanta, una raccolta di saggi, svariati articoli in riviste accademiche e contributi a libri, oltre a una tesi di dottorato presso la University of Bristol.
Treveri Gennari D., C. O’Rawe and D. Hipkins (eds.) (2017) Cinema Outside the City – Rural Cinema-going from a Global Perspective, (Palgrave Macmillan, forthcoming ).
Abbiamo già pubblicato alcuni articoli e contributi a libri sul progetto pilota di Roma (vedere sotto) e stiamo anche lavorando a diversi articoli di riviste per la stampa a revisione paritaria.
Hipkins D., S. Culhane, S. Dibeltulo, D. Treveri Gennari and C. O’Rawe (2016) ‘‘Un mondo che pensavo impossibile’: al cinema in Italia negli anni Cinquanta’, Cinema e Storia, Settembre (Numero speciale curato da Elena Dagrada).
Ercole, Pierluigi, Treveri Gennari Daniela and O’Rawe, Catherine ‘Mapping Cinema Memories: Emotional Geographies of Cinema-going in Rome in the 1950s’, Memory Studies (special issue ‘Cinema beyond nostalgia: cinemagoing, film experience and memory’, forthcoming 2017)
Treveri Gennari, Daniela. ‘“If you have seen it, you cannot forget!” Film consumption and memories of cinema-going in 1950s Rome.’ The Historical Journal of Film Radio and Television, Vol. 35, Issue 1 (2015).
Treveri Gennari, D. and J. Sedgwick (2015) ‘Memories in context: the social and economic function of cinema in 1950s Rome’, Film History.
Treveri-Gennari, Daniela, Catherine O’Rawe & Danielle Hipkins. ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, genre and national identity’, Participations, Journal Of Audiences and Reception Studies, Volume 8, Issue 2 (November 2011).
Hipkins D., S. Culhane, S. Dibeltulo, D. Treveri Gennari and C. O’Rawe (2017) ‘‘A World I thought was impossible’: Provincial Cinema-going in Italy of the 1950s’, in Cinema Outside the City – Rural Cinema-going from a Global Perspective, Treveri Gennari D., C. O’Rawe and D. Hipkins (eds.) (Palgrave Macmillan, forthcoming).
Treveri Gennari D., S. Dibeltulo, D. Hipkins and C. O’Rawe (2017) ‘Analysing Memories through Video-Interviews: a Case Study of Post-War Italian Cinema-going’, in The Routledge Companion to New Cinema History, Biltereyst D., R. Maltby and P. Meers (eds.) (Routledge: New York, forthcoming).
Treveri Gennari, Daniela. ‘Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome.’ In Moralizing cinema: Film Catholicism and Power (eds. Daniela Treveri Gennari and Daniel Biltereyst, New York: Routlege, 2014).
Paper che i membri del team hanno recentemente presentato a conferenze accademiche.
Post-war cinema audiences in Rome: A comparison. Paper presentato alla confernza CinéPop50, Université Bourdeaux Montaigne.
Discriminated Users: Engaging the Elderly with Online Audiovisual Heritage. Paper presentato alla conferenza EUscreenXL a Roma (Ottobre 2014).
The Lost Italian Audience: digital approaches to cinema-going memories. Paper presentato alla HoMER@NECS Conference a Milano (Giugno 2014).
Cinema through the senses: memories of child audiences in 1950s Rome. Paper presentato alla XXVth IAMHIST Conference, Childhood and the Media, University of Leicester (Regno Unito) (Luglio 2013).
Film exhibition and memories of audiences in 1950s Rome. Paper presentato con il Prof. John Sedgwick (Research Institute for History and Culture (OGC) – University of Utrecht) alla NECS 2013 International Conference a Praga (Giugno 2013).
In search of Italian cinema audiences in the 1940s and 1950s. Paper presentato alla Edinburgh International Film Audiences Conference (Giugno 2011).